Roy Nydorf is an artist who is passionately engaged with his world and with the act of making images. That much is immediately evident when walking into the 40-year survey of his art at the Green Hill Center for North Carolina Art.
When the going gets tough, the creative get going.
Works by three highly skilled local painters are on view in exhibitions that recently opened at three galleries, one in the Salem College Fine Arts Center and the others in the Arts District.
In his big solo show at the Weatherspoon Art Museum, Trenton Doyle Hancock conjures a chaotic wasteland where grotesque cartoon characters engage in relentless dramas of confusion, humiliation and violent destruction.
If you polled North Carolinians to determine the most popular artist in the state, Bob Timberlake, a Davidson County native, would surely win by a long shot.
An exhibition by Victor Faccinto and the late Howard Finster at Wake Forest University's Hanes Gallery makes for a fascinating view of the working friendship between two very different artists.
The loss of three downtown art galleries in the past year has left the city's visual-art audience — and many local artists — increasingly dependent on the handful of galleries that remain open. In this environment, the funky little Electric Moustache Gallery, aka EM Gallery, has become a more important venue.
The best of the few new exhibitions that opened early this month in downtown Winston-Salem showcases works by 10 artists who teach in the art department at Wake Forest University.
As artists, Michael Gregory and Asya Reznikov inhabit two different worlds.
Forty years after modern feminism emerged as a force in American politics and art, it apparently remains controversial. In some quarters, "feminism" is a dirty word.
If you haven’t yet seen Reynolda House’s exhibition “Modern Masters from the Smithsonian American Art Museum,” add it to your holiday to-do list.
Millicent Greason-Spivak's decision to close Urban Artware is easy to understand, but tough to take.
Six contemporary artists from different parts of the world challenge prevailing notions about self and the nature of personal identity in a timely, thought-provoking show at the Weatherspoon Art Museum.
In an era of renewed enthusiasm for central city living, it's appropriate that the Green Hill Center for North Carolina Art is showcasing works by a dozen artists for whom city life provides inspiration and rich subject matter.
The artists with works on view in Wake Forest University's Hanes Art Gallery this month — Beth Sutherland, Mary Ting and Joel Tauber — have little else in common. These works are configured so they clearly constitute separate solo exhibitions, each interesting for its own reasons.
Creative populism has taken center stage at the Southeastern Center for Contemporary Art this summer in "The People's Biennial," a group exhibition in the center's Main Gallery through Sept. 18.
The Arts Council's announcement that it will sell 3,000 artworks recently donated by the R.J. Reynolds Tobacco Co. amounts to a mixed blessing for the city's visual-arts community.
The closing of 5ive & 40rty, a downtown gallery, appears to mark the end of an era for the city's Arts District.
What does the Southeastern Center for Contemporary Art's exhibition "American Gothic" have to do with Grant Wood's iconic painting of the same title?
t takes an imaginative artist to find inspiration in a pile of old fire extinguishers that have been tossed into a thicket of weeds.
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