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R&B music pioneer Lowman Pauling has son, mother here

R&B music pioneer Lowman Pauling has son, mother here

Credit: Journal photo by David Rolfe

This montage of the R&B group “5” Royales hangs in the home of Lowman Pauling III.


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Hardly anybody knows it, but a small treasure trove of music history sits in a modest house across the street from the Winston-Salem Preparatory Academy.

A man named Lowman Pauling once lived there. His namesake son lives in the house now, helping take care of his ailing mother.

Sweating life's details -- seeing that she makes it to her dialysis appointments is primary among them -- is a priority now, but the realities of everyday living don't stop Pauling from breaking into a wide grin when he gets the chance to talk about his father's often-overlooked place in music history.

Lowman Pauling was a pioneer in 1950s rhythm and blues. He played guitar, performed in a group that started in Winston-Salem called the "5" Royales, and wrote a long list of songs. Notable among them is "Dedicated to the One I Love," a song that climbed the pop charts when covered by the Shirelles in 1961, and again in 1967 for the Mamas and Papas.

"James Brown, Chuck Berry ... Daddy was just as good or better," Pauling said. "Daddy could really play. He really was something."

Credit where it's due

Lowman Pauling, the father, grew up in Winston-Salem in the area around Trade Street. He started playing guitar when he was young, his son said, and began his musical journey performing gospel with his brothers.

Only the most dedicated music fans might remember the name Lowman Pauling these days. Even at the peak of his skills, Pauling perhaps didn't get the acclaim due a man of his talents.

His credits include "Think," an R&B hit recorded in 1961 by Brown -- not Aretha Franklin's smash hit -- "Baby Don't Do It" and "Help Me Somebody," both of which were R&B hits in 1953.

"Unfortunately, that happened to a lot of black artists back in those days," Pauling said. "Sometimes they didn't get the credit due them, and sometimes the labels cheated them out of royalties."

But that's history. These days, Pauling enjoys those rare times, which are growing fewer and fewer as the years zip by, when somebody recognizes the achievements of the man whose name he shares. He keeps mementoes around, and the entry foyer to the house is lined with frames holding some of the more precious ones.

A print depicting the famous Apollo Theater, the members of the "5" Royales and their signatures holds a prominent spot. Just below that is a proclamation signed by former Mayor Martha Wood and members of the Winston-Salem Board of Aldermen presented when a street was named in honor of the "5" Royales.

A stack of identical dark-blue cardboard envelopes contains matching certificates commemorating broadcast milestones -- starting with 1 million broadcast performances of "Dedicated to the One I Love."

"How many are we up to now, Darryl, 4 million?" asked Ellise Pauling, using the middle name her son is mostly known by.

"Yes, Mom, I think that's right," he replied, tearing himself away from his trip through the past to tend to the present.

Of legacies

It must be pretty cool to flip on a radio and hear a song that your dad wrote, huh?

"Winston-Salem State used to have a DJ on Sundays who used to play some of his music pretty consistently," Pauling said. "But other than that,


you don't hear it much. But,


yes, it does make you feel good."

Rather than dwell on physical tributes that can be seen and read, Pauling prefers the intangible, hard-to-define portion of his father's legacy. Books, magazines and quickie online biographies and histories note that legendary artists such as Brown, described as the "hardest-working man in show business," and rock legend Eric Clapton have cited Lowman Pauling as an influence.

"James Brown and the Famous Flames, they patterned their act after my father," Pauling said. "The "5" Royales were doing those kinds of (dance) moves before they were."

He laughed at the suggestion that maybe one day his father would get more attention if by some chance a wave of renewed interest in classic R&B came along. Only 52, he smiled and started to offer a variation of the familiar "these kids today" lament before steering the conversation back to his father.

"Daddy died in 1973," he said. "He's been gone a long time."

Still, he says with considerable pride that his father is scheduled in September to get a spot in the new N.C. Music Hall of Fame in Kannapolis, alongside the likes of jazz greats John Coltrane (High Point) and Thelonius Monk (Rocky Mount), country star Randy Travis (Marshville) and bluegrass icon Earl Scruggs (Flint Hill).

Of even greater personal importance, though, is a small change Pauling has noticed in his 16-year-old son, who has taken up the guitar.

"Everybody used to call him "D.D." but now he goes by Lowman," Pauling said. "He insists that people call him that instead."

A living legacy is the very best kind.

■ Scott Sexton can be reached at 727-7481 or at ssexton@


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