If you haven’t yet seen Reynolda House’s exhibition “Modern Masters from the Smithsonian American Art Museum,” add it to your holiday to-do list.
Advertisement
Millicent Greason-Spivak's decision to close Urban Artware is easy to understand, but tough to take.
Winston-Salem native Trevor Schoonmaker has organized substantial exhibitions at Duke University's Nasher Museum of Art in the four years since he became its curator of contemporary art.
The big story on the local visual-art scene this year was mid-July’s reopening of the Southeastern Center for Contemporary Art after it had been closed for a year and a half while undergoing building repairs that cost $1.8 million.
The ostensible subject of Rik Freeman’s paintings at the Delta Arts Center is the blues, the globally influential African American music tradition in which both jazz and rock’n’roll are rooted. Most of his 16 paintings in “The Chittlin Circuit Review,” at the center through Jan. 15, feature images of a black man playing an acoustic guitar, the blues’ primary musical instrument in the pre-
Nearly 25 years after his death and 40 years after his paintings of soup cans and other commercial products revolutionized the art world, Andy Warhol remains an icon of post-modern art, arguably the late 20th century's most influential American artist.
Graffiti has been a hot topic in Winston-Salem lately. Last month it was on the city council's agenda in the form of a proposed ordinance forbidding minors from buying spray paint within the city limits or possessing it near public properties. Presented as the latest tool for fighting the "graffiti problem" in the city, the ordinance passed unanimously.
The ostensible subject of William Christenberry's photographs is the rural South, specifically Hale County, Ala., where he grew up. On a deeper level, these photographs are about isolation, loss, memory, death and the passage of time -- and about the kind of timeless, haunted beauty that Christenberry sees in all these processes.
As usual, there's no particular theme for the latest annual jurored show in Associated Artists of Winston-Salem's "Dimensions" series, but it turns out to consist largely of two-dimensional, figure-based art, with numerous references to architecture.
Growing up in a housing project in Bridgeport, Conn., in the 1960s and '70s, Leonardo Drew lived alongside the city dump. Even as a child he evidently found a special kind of beauty in the decay and corrosion he observed when exploring that site.
In a society that takes its symbols seriously, few symbols are more emotionally loaded and potentially contentious than the U.S. flag. Photographer Sheila Pree Bright of Atlanta employs this fact to her advantage in the portrait photographs that make up "Young Americans," her solo exhibition at Winston-Salem State University's Diggs Gallery.
The extended shutdown of the Southeastern Center for Contemporary Art and the extended downturn in the national and local economies loomed large among factors that rendered 2009 a bummer for visual-art lovers in Winston-Salem.
It has been almost 48 years since a group of students at Wake Forest University came up with the idea of an art-buying trip to New York on behalf of the university. They wanted to establish a student-directed art-acquisition program as an integral part of an art department, which Wake Forest still lacked in the early 1960s.
John Foster was a child in Winston-Salem's Ardmore neighborhood when he began pursuing two of his favorite activities -- making art and collecting things. Those pursuits would prove to be defining factors in his life as he grew up to become an artist, art teacher, graphic designer and voracious collector of folk art and found objects.
Celebrations of cultural diversity have become ubiquitous in the art world in recent years. Among local institutions reflecting this generally salutary trend is Associated Artists of Winston-Salem, whose latest exhibition to engage the cultural diversity theme is on view through Nov. 20 at Associated Artists Gallery.
When Leo Morrissey delves into a book, he does it literally. Using a razor-edged blade, he cuts into it layer by layer. When he is finished, the book looks as if it has been excavated in tiers, like a miniature open-pit mine.
Mark Jenkins' September project for the Southeastern Center for Contemporary Art provided a lesson in the difficulties faced by a self-described "street artist" working within an institutional context. The project also provided a revealing test of the art tolerance of law-enforcement authorities in the "City of the Arts."
Like untold numbers of American boys and girls, I loved comic books when I was a child. I also loved to draw, and one of my favorite scenarios of my
Geometry is the field of mathematics concerned with the properties, measurement and relationships of points, lines, angles, surfaces and solids. But for artist Vandorn Hinnant, geometry has a
It has been about 35 years since figurative painting re-emerged as a vital form of contemporary art after several decades in the shadow of abstraction and conceptual art. Key to that development was the increasing popularity of an expressionistic strain of figure-painting sometimes called Neo-Expressionism. This approach to painting -- itself something of a throwback to German Expressionism -- has been continually revisited by later generations of artists, including two who now have solo shows in the Downtown Arts District.
For its summer exhibition "Gallery Nomads," the Green Hill Center for North Carolina Art invited six galleries in Raleigh to showcase selections of works by artists from their respective "stables." On view at the center through Aug. 29, the resulting exhibition is reminiscent of a contemporary-art fair, a series of mini-
Thanks to its consistently varied, generally high-quality exhibitions program, the Waterworks Visual Arts Center continues to distinguish itself among nonprofit visual-art venues in North Carolina's smaller cities and towns.
Eileen Neff was a student of literature before she studied painting, but she ultimately settled on photography as the medium best suited to her artistic aims.
Nearly six months after the Southeastern Center for Contemporary Art closed its main building at 750 Marguerite Drive (off Reynolda Road) to prepare for a year-long, $1.8 million renovation, the most expensive and complicated part of that process has yet to get started. For now, the renovation is still officially scheduled to be complete in time for SECCA to reopen at the beginning of 2010.
Nowadays just about everyone is a photographer -- or thinks he is -- thanks to the advent and mass popularization of digital photography. But to be a photographer requires more than just the ability to operate a camera-phone. It demands a special quality of attention to the visual world and an ability to adequately translate what you see -- and what you think or feel about it -- into a photographic image.
Advertisement
Advertisement
Gallery: Reynolds Art Sale
GALLERY: The Week in Photos for Feb. 6
GALLERY: The Week in Photos for Feb. 6
Scene and Heard Gallery: Stories of heart disease get personal
Today's big event is the Super Bowl, but the team color of choice was...
GALLERY: Chinese New Year celebration
The 13th annual "Chinese New Year" celebration sponsored by the...
Advertisement